DEEP IN MY MIND

 

silas BARIMAH

Versel V Incorporated

Versel Studio

+233 59 926 2808

+233 50 475 0653

silasbarimah@outlook.com

 

2023-09-25

 

Season 1. Episode 1.

 

 

 

 

 

 

PILOT.

OPENING SCENE: (Time and Chance)

EXT. ACCRA – DAY

It’s accra. But not the normal accra you know. This is another universe. A sci-fi world. a different dimension where original josh primarily lives. BUT NO ONE IS REALLY ALIVE yet, they are conscious.

(The following sequence takes place in a game world undifferent from the real. But viewers do not know yet)

EXT. KWAME’S HOUSE (ACCRA) – DAY (game world)

PAN SHOT: KWAME’S neighbourhood.

It’s a beautiful bright sunny day (Monday). Birds chirping beautifully and flying about freely in the sky.

SHOT ON: KWAME

KWAME, a skinny 3 feet 12-year-old boy, wearing a black short with no shirt on, sitting under a tree in front of his house, looking blankly into the sky.

He is sad. (KWAME is used to doing this a lot. Sits by himself, cries and sometimes murmurs words to himself, drawing shapes on the floor. He is a deeply depressed kid)

SHOT ON: MOTHER

MOTHER (late 30’s), a dark 5 feet 6 inches tall woman in a purple top, and a light red trouser, her long dark flowy hair held behind her head with a black rubber band revealing her full face, is seen behind the booth of her Nissan car. Brown boxes are seen in the booth with labels on them. “Plates”. “Cloths”. “Sex toys” (She uses it to please herself since FATHER is not that “powerful” in bed, specifically with her. She chooses to masturbate a lot since she doesn’t like the idea of cheating on her husband, even though she has come close several times before. She feels she disgusts him. Besides, their relationship was a “mistake” since she got pregnant and decided not to abort it just so she can get married to the man she loves).

She carries the boxes into the house one by one. Some are clearly heavy. Mother looks clearly tired and stressed from having to be the only one doing all the job in the house. They are new neighbours in the area. Just three weeks since they first arrived.

(Mother is well educated. A university graduate from the University of Ghana-Legon, with a master’s in psychology and human behaviour studies.)

 

SHOT ON: FATHER

FATHER (mid 40’s), a dark skinned 5 foot 2 inches tall, bald, smiley but dumb looking fairly handsome man is standing close by the tarred road at the front of the house, waving at a BEAUTIFUL-AND-BUSTY YOUNG WOMAN (30’s) walking by.

(Father is also a university graduate with degree in BFA. He is a lazy man and has not worked on a job since graduation. Mother takes care of him and the family. He has been trying to shag the BEAUTIFUL-AND-BUSTY YOUNG WOMAN since they arrived in their new neighbourhood but have had a hard time with her since he has been asked to for her service before shagging her. She is a decent whore. Father doesn’t know about it but everyone else does)

FATHER had always been cheating on MOTHER. MOTHER knows and had tried many times to threaten him to stop but FATHER doesn’t listen so much. He still goes about to cheat behind MOTHER’s back.

SPOILER:

JOSH'S childhood, and how he became BARIMAH'S friend. (This universe is a version of the real universe where Josh’s original parents live. Mother and Father are Josh’s parents and Josh is little KWAME. The characters in the scene are variants of Josh (Kwame) and his family apart from Barimah and Josh. They were highly interactive characters in that world. Call it an augmented reality universe.

TO: MOTHER

SHOT FROM BEHIND: MOTHER

mother

Hey, honey. A little help here…

MOTHER calls out to FATHER.

She raises her head over the open booth to look at FATHER.

PAN SHOT TO: FATHER

FATHER turns his head for a beat and returns to admiring his busty lady.

FATHER responds unconcerned.

father

Huh? I’m a little busy here.

 

BACK TO: MOTHER

mother

Uch, such a man I married.

MOTHER says disappointingly with bitterness in her tone. She returns to bury her head in the booth, taking out the boxes.

BACK TO: KWAME

SHOT ON: KWAME’S FACE

KWAME turns his face, looking down with deep sadness and confusion all over his face.

Footsteps approach.

SHOT ON: AMA

AMA (17) 5 feet 3 inches, KWAME’S sister walks towards him, fidgeting with her mobile device. AMA is wearing a colourful short top revealing her belly button, and a brown trouser. Her hair braided, with 2 strands of the braids running down her face over her eyes. She looks down at Kwame, seated by the trunk of the tree looking absentminded. She is a prideful bitch, but a virgin. Loves drugs and likes to go to church. Very strange combination for a seventeen-year-old lady.

SHOT ON: AMA’S FACE

ama

Hey, doo face. Where is my headset?


 

TO: KWAME

KWAME ignores her.

SHOT ON: AMA’S FEET WITH KWAME IN FRAME

She kicks KWAME hard on his left thigh, startling him.

KWAME snaps back to him self.

BACK TO: KWAME

Kwame cries.

kwame

Ahh…

ama (O.S.)

Mom… KWAME is doing his stupid sad face thing again…

AMA screams for MOTHER’S attention.

TO: FATHER

FATHER turns to look towards AMA’s direction. He doesn’t respond to AMA.

BACK TO: AMA

AMA (cont’d)

…Aren’t you supposed to be in school “making us proud” today?

Why the hell are you faking a cry right now? Tell me where my headset is.

She says to KWAME sarcastically, raising her hands to make quote signs and rolling her eyes (Kwame is a smart student. He aces any class he takes and is a scholarship student. Everyone loves him so much, but he is deeply depressed).

KWAME cries. (KWAME is a proper softie and a cry-baby. He cries for MOTHER’S attention the least unfavourable thing that happens to him. He has been pampered too much by her MOTHER.)

TO: MOTHER

MOTHER rushes to their location.

MOTHER

What is going on here?

FOLLOW AND CENTER: MOTHER

SHOT ON: MOTHER AND KWAME

MOTHER questions AMA. She kneels on one knee and touches his face delicately, massaging it and raising his chin to investigate his face.

AMA is used to bullying KWAME a lot. This has been happening a lot and is not so new to MOTHER.

ama

I don’t know. He’s sitting here making those stupid faces he made at KWAME JNR’S funeral again.

(Kwame Jnr is a twin brother of Kwame. He was his best friend. Kwame Jnr was not a smart student but very comedic)

MOTHER

Oh… baby. Do you still miss him?

MOTHER asks in a sweet pampering tone.

KWAME continues crying, ignoring the question.

KWAME

Mom…

He says in a shaky and sad tone. Shuddering, and tears flowing down his cheeks.

ama

He’s already dead and gone, you know. Nothing changes for the both of you if you still coo over him.

MOTHER

Not now, Ama.

 

ama

(Sighs) Alright, save that for later then…

kwame

…I…I…

MOTHER

Yes baby, talk to me. I’m here for you. (She says in a romantic and seductive tone.)

AMA (P.O.V.):

Ama

Oh my god. That’s some paedo shit.

She says to herself in a low tone.

AMA’S comment (joke) is to hint on the fact that MOTHER always tries to pamper KWAME, pulls her close and squeezes her in boobs. She is trying to say MOTHER is a paedophile.

SHOT ON: AMA

She looks over at MOTHER and KWAME. She is getting impatient.

BACK TO: AMA (P.O.V.)

Ama

Speak up already, KWAME. I need some sad sister stories for my Instagram. And, where is my headset anyway?

Since AMA doesn’t feel loved by her family so much, she is striving to be a social media superstar. Her role model has always been KATLIN JENNER.

BACK TO: AMA (P.O.V.)

SUSTAIN: MOTHER’S FACE

MOTHER snaps. (Mother doesn’t like Ama so much because she thinks she is disrespectful.)

 

MOTHER

Will you shut it, AMA…!

KWAME raises his head and looks at AMA.

KWAME (P.O.V.):

TO: AMA

AMA shakes a bit. She gets startled. Looks at MOTHER and frowns her face.

BACK TO: AMA (P.O.V.)

SUSTAIN: MOTHER’S FACE

MOTHER (cont’d)

…Can’t you see your brother is sad here?

TO: AMA

ama

What did I say wrong? You are the one that is always trying to find some problem with me… I just need my headset.

She says defensively, raising her shoulders.

TO: KWAME

kwame

Its AMA…

KWAME says in a shaky tone.

kwame

…she… she… she kicked me.

KWAME manages to force words out of his mouth.

SHOT ON: MOTHER AND KWAME

Mother turned to look at AMA with her face squeezed and fiery. Mother is angry.

Ama is unconcerned and still fidgeting with her phone with an angry face.

ZOOM IN: MOTHER’S FACE

Mother continues starring for a while.

There is a pause for a moment. (Three seconds’ pause.)

SHOT ON: AMA’S FACE

AMA realises notices mother starring at her. She responds to Mother’s stare.

ama

What? I didn’t do anything. He was making those stupid sad faces again and I tried to make him stop. I bet you regret you didn’t flush me down the toilet now, huh…?

TO: MOTHER

MOTHER gets hurt but manages to control herself.

She turns to her favourite child.

SHOT ON: MOTHER AND KWAME

MOTHER

Baby, is it true?

MOTHER asks KWAME in the same tone he spoke with him earlier, touching his face.

ama (O.S.)

Of course, it’s true.

TO: AMA

ama

I mean, why isn’t he in school anyway?

BEAT.

TO: MOTHER

MOTHER

Baby, talk to me. I’m here for you.


 

TO: KWAME

kwame

Mom, I don’t know what to do. Feels like I’m stuck between two worlds, and I don’t know if I am better enough for anything. I’m scared, mom. I’m scared about my future. I don’t even know why I’m in this world anymore. Nothing makes sense here. I wish someone could steal me away.

KWAME is going through existential crises. For a boy twelve years old, this is a big issue because they are not expected to start feeling this way and asking these kinds of questions.

SHOT ON: MOTHER AND KWAME

mother

Aww… baby.

Footsteps approach.

PAN TO: FATHER

FATHER walks towards them. Stands and looks at MOTHER and KWAME with his hands held to his waist.

father

What is going on here?

TO: MOTHER

SHOT ON: MOTHER AND FATHER

FATHER (P.O.V.):

TO: MOTHER

MOTHER turned her head to look at FATHER with a worried face, shaking her head.


 

ZOOM TO: FATHER’S FACE

FATHER sighs.

father

Great. Time for “the talk.” Hehehe.

He says excitingly, rubbing his palms together.

Father had always been waiting for the moment he can get to deliver “the talk” to his little blooming boy.

Father is a womanizer and a lazy person at heart. Imagine the kind of “talk” he had prepared for little KWAME.

ZOOM OUT:

SUSTAIN ON: FATHER

FATHER kneels before KWAME, touches his shoulders with his right hand, and cleared his throat, ready to lay hardcore life advice to KWAME from his point of view as a father and all his experiences.


 

SHOT ON: KWAME AND FATHER

father (cONT’D)

Son, are my sperm, which means you are the only hope of this family. Because you are tough like me and it is only tough people who can be cautious enough to interrupt their coitus just to not have baby mama issues with any random lady. (Father, just so he doesn’t have a lot of kids with MOTHER, always makes sure that he doesn’t ejaculate into mother to make her pregnant. This is the reason MOTHER doesn’t have great sexual experience with FATHER and caused her to get vibrators and other sex toys to pleasure herself than to cheat on FATHER) [and my sperm never get wasted. Not even the swallowed ones. (This line reflects the fact that FATHER is a “master of sex” since he has been able to master coitus interruptus and reflects his womanizing character. He never allows mother to suck his cock, especially after he finds out she was pregnant with AMA. He knows how cruel Mother can get if she should get hold of her semen)]

TO: KWAME’S FACE

KWAME looks at his dad shocked and confused [than he was before], with his eyes widely opened.

 

 

 

 

 

 

TO: MOTHER’S FACE

MOTHER

JOHN…

PAN TO: MOTHER AND FATHER

FATHER looks at MOTHER.

FATHER

Mm.

MOTHER

 …not this time!

Father

What? He’s blooming. He must know.

BACK TO: KWAME

BACK TO: MOTHER

MOTHER covers her face with her palms and shakes her head. She sighs.

BACK TO: FATHER

Father

Alright, alright.

BACK TO: KWAME AND FATHER

FATHER tries to come in stronger…

Father (cont’d)

Son, listen. You can be anything you want to be and don’t let anything bring you down okay. You will grow up and be a very successful and respected man. Ok?

BACK TO: MOTHER AND FATHER

MOTHER

Nice.

MOTHER smiles and gives FATHER a high five. (This is a rare occurrence. MOTHER and FATHER rarely have an agreeable moment like this. The last time was when FATHER got a lady pregnant and was scared of what his mother might say and do to him. FATHER’s mother is a rich woman and had promised to keep his name in his will and will receive 50 percent of his properties after she dies. MOTHER helped FATHER threaten her into aborting the baby. And in the future, they might both plan on killing her mom early so they can take her property for herself. FATHER’S mom is fucking old but never want to die. She is a tough nut to crack.

father

There. Make him less of a man. Shall we?

Mother teases. She turns to KWAME to continue with the inspiration.

 

 

 

 

 

 

 

 

 

 

 

 

 

SHOT FROM BEHIND: MOTHER AND FATHER

FOCUS ON: KWAME

MOTHER

Baby, you are the best thing that ever happened to us.

(This line reflects how much the whole of the family depends on KWAME to be the one to save the family in future. Mother sees her firstborn child AMA to be lazy and unserious and therefore, she receives no special care and treatment from her parents. Besides, she is an unwanted baby).

Jesus has promised to give you a good and prosperous future, okay. Never forget that…

(In as much as MOTHER’S character doesn’t directly reflect her as being a Christian, she and the family take conscious time off to do Christian stuff with their heart. They believe in JESUS and visits the church when the need arises. Only AMA is the type that is not a proper Christian. She complains Christians are hypocrites and do not deserve any respect or attention. Sometimes she mistaken Christians as Jews and wishes Hitler was still alive. But she tries praying sometime back when she got dumped by her boyfriend.)

 

 

 

 

 

CUT TO: AMA

ama

Yeah… wait, what about me.

AMA gets jealous that she doesn’t get attention from her parents. She is supposed to be over it by now, but it never really works no matter how hard she tries to act unconcerned. She loves her parents deeply.

KWAME (P.O.V.):

TO: AMA AND MOTHER

MOTHER

Goddamn it, AMA you need to grow up. When are you going to realise, he is what is important in this house?

father

Watch it? I’m right here.

FATHER alerts he is the man of the house.

MOTHER shuts AMA up an ignores FATHER.

SHOT FROM BEHIND: MOTHER AND FATHER

ZOOM IN: KWAME

MOTHER (cont’d)

…Now get up there, fix your face and go play with the other children.

TO: KWAME AND MOTHER

MOTHER says sweetly to KWAME as she tickles and plays with him.

KWAME giggles. The sadness lifts off his face completely in a flash.

(A mother’s magic)

 

 

 

 

TO: KWAME AND FATHER

father

Soon, he will be taking care of us with all the money he will be making, with nothing to spare.

(This line signifies the African child and expectation from family. Every child is supposed to be serious with their life, make it and take care of his family. Else, the child is seen and tagged a failure.)

TO: AMA

ama

Yeah man. Jesus got you covered. He’ll never let you down.

She said with a sarcastic tone, still fidgeting with her phone.

They all smile with a cheerful and satisfied face.

AMA seems unconcerned about what was going on since she was not the centre of attention.

 

 

 

 

 

 

 

 

 

 

 

 

 

TO: KWAME

kwame

Thanks mom and dad. I feel much better now.

(The good boy lines. This line is a way for KWAME to escape the many self-help-like motivations and advice that we are all being bombarded with. If you don’t say and thank you to anyone advising you and tell them you feel better or have learnt a lesson to be better, then you are a recalcitrant or proud or disobedient child, and no one likes you in the society. But KWAME doesn’t know yet. He says it at least and gets the family off her back when clearly, that may not be the end of his depression and sadness.)

FOLLOW: KWAME

KWAME runs off to join play with his friends feeling excited and confident about his future, singing…

TO: MOTHER AND FATHER

mother

Oh, look at my baby go. With so much potential to spare.

MOTHER tears up a little. Her eyes glitter as she holds up her hands together to her chest and pressing lightly on it.

father

Yeah. If anything should happen to this kid, I swear I will quit having sex with other ladies behind your back.

(This line reflects how disrespectful and dishonouring FATHER can be to MOTHER. Their relationship is not a happy one.)

He said confidently not noticing MOTHER standing close by.

TO: MOTHER

MOTHER

Wait, what?

(This is mostly how their fights begin.)

MOTHER is shocked FATHER made such a comment. She turns, facing FATHER.

TO: FATHER

father

Uhm…

He said nervously as he giggles showing all his teeth, faking a smile, and sweat dripping down his face.

 

 

 

 

 

TO: AMA AND PARENTS

FOCUS ON: AMA

ama

Oh, you thought your husband is now a saint. Oh my god, I pity you both.

AMA says emotionless to MOTHER, still buried deep into her phone.

TO: AMA AND MOTHER

MOTHER frowns her face.

BEAT.

The beautiful moment almost gets short-circuited.

TO: KWAME

KWAME continues singing…

kwame

…red means stop, yellow means get ready, green means go, go, go and… (“Red means stop, yellow means get ready and green means…”)

EXT. ON ROAD – DAY

SHOT ON: ROAD

ACTION: CAR CHASE AND CRASHES

Car zooming in fast. It’s a chase.

BARIMAH and JOSH, chased by some alien ship (This is a normal thing for BARIMAH and JOSH. They were on a game world and were on a race with aliens. A mission they had to complete), skids and squishes KWAME right in the middle of the road. The vehicle summersaults and crushes into other buildings. The alien vehicles skid off into other houses and causes a massive destruction in the neighbourhood.

KWAME’S friends, standing at the sidewalk were not harmed by the crush. In fact, they stood watching, not knowing what was happening. So calm.

TO: MOTHER AND CRUSH SCENE

BEAT.

mother

Ahh…

MOTHER screams. Hands on head, legs stiff and slanted and a bit elevated from the ground.

TO: FATHER

father

Fuck…

FATHER said shockingly, holding his crouch. He is in trouble. No more ice-cream for his hairy dick.

PAN: AMA AND ACCIDENT

AMA looks over at the destruction.

TO: AMA

ama

Great! Jesus really did have it all covered. This is so going to get my followers up today. #SadSisterStories.

Oh fuck, my data bundle is finished. I’ve got to bill someone.

SUSTAIN: AMA

AMA walks towards the entrance of their house. She is unmoved by the scene.

 

 

 

 

 

 

 

 

INT. BARIMAH’S VEHICLE – DAY

SHOT ON: BARIMAH AND JOSH

BARIMAH is seated at the driver’s seat. JOSH is at the back seat, close to the window, looking out at the destruction.

BARIMAH and JOSH, along with the other aliens looked, surprised at the scene.

TO: BARIMAH

barimah

Well, that just happened…

SHOT ON: VEHICLE WINDOW

TO: BARIMAH AND JOSH

JOSH is freaked out.

He breaths in to scream…

THEN:

cut to:

opening titles.


 

ACT 1: (A little sleep, a little slumber)

EXT. HOSTEL – DAY

PAN SHOT: Buildings seen in neighbourhood.

ZOOM IN: To BARIMAH’S hostel building.

INT. BARIMAH’S ROOM – DAY

ZOOM IN: BARIMAH’S SLEEPING FACE

SUSTAIN: 2s

BARIMAH opens his eyes wide and gasps. He wakes up from bed, wearing boxer shorts.

His hair unkept and flying all about his head. He has a really bushy hair.

FOLLOW FROM BEHIND:

INT. BATHROOM – DAY

He walks over to the bathroom. He takes a long piss while yawing and stretching his body.

SHOT ON: TOILET

FOCUS ON: LIQUID SWIRL

He flashed the toilet. Little to no water comes out.

CAMERA RAISE TO:

TIME: 1.4s

FOCUS ON: BARIMAH’S FACE IN MIRROR

barimah

Ahhh… fuck.

He says in a frustrating tone, tipping his head backwards.

His eyes tired and darkened at the edges.

He takes his towel, put it around his neck, walks out of the bathroom.


 

RESUME: FOLLOW FROM BEHIND

INT. BARIMAH’S ROOM – DAY

BARIMAH walks out over to JOSH’s room.

FOCUS ON: BARIMAH’S HAND

INT. JOSH’S HOSTEL ROOM DOOR – DAY

At the door, he knocks seven times.

FOLLOW: BARIMAH’S HAND

He reaches towards the doorknob with his hand and twists it down while pushing on then opened the door.

INT. JOSH’S ROOM – DAY

SHOT ON: ROOM

Everyone in the room was asleep. He looks over in the room.

ZOOM STEADY ON: JOSH

BARIMAH walks over to JOSH, who was asleep folding himself up on his bed.

He pulls his sheets to wake him up.

SHOT ON: BARIMAH’S FACE

barimah

Hey, is your shower flowing?

BACK TO: JOSH

Josh

Huh? I don’t have a gun in my butt.

He replied, scratching his butt, and turning himself to sleep better on the bed.

BACK TO: BARIMAH’S FACE

barimah

Huhh...

He sighs.


 

BARIMAH (P.O.V):

He looks over at a phone laying on the ground. Checks the time on the device. It was almost 12:00PM.

He gets an idea.

He connects the phone to a Bluetooth speaker, put on a high frequency rock song, increased the volume to max, placed the speaker to the ears of JOSH and hit the play button.

BACK TO: JOSH

Josh

Ahhh… I’m awake. I’m awake.

Josh snaps from his bed.

SHOT ON: JOSH’S FACE

He sat up panting and sweating.

SHOT ON: BARIMAH & JOSH

barimah

A little sleep a little slumber, huh?

BARIMAH smiles.

JOSH stands up to his feet. Ready to attack BARIMAH with his anger.

Josh

What is wrong with you.

JOSH says angrily.

BARIMAH gestures his hands out at him stopping him from coming in any close to him.

barimah

 Whoa, whoa… It’s Monday. We have a class to be in. Chill the fuck out. You just woke up.

 

 

 

IN FRAME: BARIMAH, JOSH & DOOR

ZOOM IN: BARIMAH

BARIMAH walks out of the room hurling the phone back on the bed.

Barimah

Hey, tell me the time, will you?

JOSH reaches for the phone to read the time.

Josh (o.s.)

It says… We’re already late. Oh shit.

SHOT ON: JOSH’S FACE

He remembers something.

Josh

Oh shit.

JOSH drops himself on the bed.

CUT TO:


 

ACT 2:(Truth hurts… accept it)

rosemary (o.s.)

I’ve been telling you people. You seem not to respect or listen to me anytime I speak…

INT. HOSTEL’S LIVING ROOM – DAY

SHOT ON: ROSEMARY

ROSEMARY is seen standing at the door to the living room.

She is disfigured lady. Big boobs and ass, half of her face burnt up. She covers it up with her hair to look cool, but she still looks scary and strange. She’s wearing a big shirt tied at the tip, with a jean shorts, looking like boxers, suffocating her thighs in. She is disfigured, not ugly.

(She could look better if she was humble enough. But that is not her character. That is not who she was made)

SHOT ON: ROSEMARY

rosemary (cont’d)

…No one is to come in here to this hostel after 10.00AM. But you never listen.

Why can’t you just follow simple rules?

CUT TO:

BARIMAH, with other characters in the hostel come out into the scene.

SHOT ON: BARIMAH & JOSH

BARIMAH and JOSH walk in.

BARIMAH is carrying a bag. He is okay looking in a red hoodie, and hair seeming combed only at the tips.

Josh has a strap bag behind him. He looks neat and well presented. Hair combed nicely.

SHOT ON: BARIMAH

barimah

Because you’re ugly and we don’t respect you. It’s that simple.

Sichael

Oo, burn.

SHOT ON: JOSH

Josh

BARIMAH, you don’t have to talk to her like that, you know. She’s a lady. And you’re, you’re being a little misogynistic right now.

 

 

 

IN FRAME: BARIMAH AND JOSH

barimah

What?

Josh

Yeah

barimah

You do know I have a mother, right?

Josh

Uhm… yeah?

barimah

How can the truth be misogynistic? Is it because she has a vagina?

FOCUS ON: ROSEMARY

ROSEMARY is embarrassed and ashamed.

SHOT ON: JOSH

josh

Wait, what? No. I mean she’s…

JOSH looks over at ROSEMARY.

BACK TO: ROSEMARY

FOCUS ON: BARIMAH

barimah

Ohh… I get it. You want to hit that.

FOCUS ON: BARIMAH, JOSH AND ROSEMARY

BARIMAH points at ROSEMARY, holding his belly and laughs.

Some of the other characters laugh too.

JOSH looks over at ROSEMARY and back at BARIMAH.

FOCUS ON: JOSH.

JOSH shrivels himself up, looking embarrassed.

josh

Ahhh.

FOCUS ON: BARIMAH

barimah

Oh wow. You do know she's a six-month baby, right? I never knew you had a thing for premature hags.

SHOT ON: ROSEMARY, JOSH AND ROSEMARY

Tears build up in her eyes. She looks down in shame.

BARIMAH said, trying to control his laugh.

josh

That’s not the point.

FOCUS ON: ROSEMARY

Rosemary

Excuse me, what? You can’t talk about me like that okay.

She says with her index finger out, waving it. She is regaining her confidence.

FOCUS ON: GEL

GEL

BARIMAH, that was really mean.

FOCUS ON: BARIMAH AND GEL

BARIMAH looks over at GEL with a dissatisfying face.

barimah

Well, its good to know it’s all already in the past then, isn’t it?

FOCUS ON: JOSH

Josh

Come on man.

 

SHOT ON: BARIMAH

barimah

What, [your dick ticks for her now]? Jesus Christ. Just look at her. Do you want me to lie about what I see? I must tell you. My values are so strong that I can’t compromise just to butter someone up. That is going to make me much more, cruel than Hitler himself. I can’t live with that guilt too, the rest of my life. Scars should be meaningful. I…I…I…I can’t have this on my conscience. (“I can't have this on my conscience”) Simply put, I…I…I…I can’t lie, man. That is just not who I am. And if the truth makes me misogynistic, then I would love to be labelled a misogynist.

He pauses for a moment.

SHOT ON: BARIMAH AND JOSH

barimah (cont’d)

You are always ready to kiss people’s ass so you can be liked. But doesn’t always work as you expect does it.

JOSH looks down in shame, scratching his neck.

FOCUS ON: JOSH

barimah (cont’d)

I mean. I don't blame you. It's what your character is. Come on, Josh. We have a class to be in.

BARIMAH drags JOSH along as he walks away.

He pushes ROSEMARY aside and walks past her, dragging JOSH along.

 

 

FOCUS ON: ROSEMARY

ROSEMARY cries, looking around for someone to console her.

Everyone at the scene walks away.

She looks over at GEL.

SHOT ON: GEL

gel

Ermm…

GEL says nervously.

gel (cont’d)

Sorry, I don’t touch ugly things.

She quickly walks into her room and slammed the door.

FOCUS ON: ROSEMARY’S FACE

ROSEMARY stands with tears on her face.

She looks down in sadness, feeling lonely.

CUT TO BLACK.

 

ACT 3:(…people shitting, people clean up)

EXT. ENGINEERING SCHOOL – DAY

BARIMAH and JOSH walks through the entrance of the door into the school.

barimah

Look at all these guys. Killing themselves and burning midnight candles only to have a paper they could submit for a job they’ll be denied and given to less qualified and stupid people. I…I…I really don’t know why they totally can’t know any better and find someplace else to live their lives than settle for the education system, scamming them for all their time and intellectual resources. I mean, no body gets their money’s worth out here no matter how hard they study, or which ever grade they get after graduating.

Josh

But that is the only way to survive the system in this country. No body respects you without the certificate you know.

barimah

Yeah. Whatever.

Josh

Just because you are a genius and can make a life for yourself without it doesn’t mean everyone should leave to do what you do.

BARIMAH rolls his eyes.

Josh (cont’d)

There always have to be people shitting for others to clean it up. Else, societies do not function well.

barimah

Huh, that’s a relieving way to look at it.

Josh

Yeah.

barimah

I bet you’re on your joke roll today.

BARIMAH slaps JOSH on the back.

josh

Ou...

Josh blushes.

He pauses or a while.

josh

Hey, I had this dream yesterday. It felt like I died.

barimah

Okay now, don’t push it.

josh

Huhh…

barimah

You already did one good joke. Don’t shatter your daily comedy reputation goal.

josh

I’m not kidding.

BARIMAH pauses. He turns to JOSH.

barimah

I don’t want to be rude. Dreams are the worlds of fools and lazy people. You… you’re none of those, are you? ARE YOU!

JOSH shakes his head nervously.

josh

Good.

He pats JOSH on the cheek lightly.

ACT 4:(Surprise, surprise / Why should I be bothered…?)

int. library – day

BARIMAH and JOSH are seated in the library. JOSH is trying to cram a formula into his head. BARIMAH is writing a piece of code for his app.

BARIMAH looks over at what JOSH was doing.

barimah

Let me see that. What, what is this?

josh

It’s the Simpson’s Rule.

 

barimah

What? You still don’t listen, do you? Still want to get stuck in the rat race, huh?

 

Josh

Hey, man. I paid my fees. Better have something to show for it. I’m not smart as you. You have a lot of things to hop on to. This is all I’ve got. Le…le…le…let me have this one.

barimah

Whoa, smart guy all of a sudden huh?

BARIMAH bullies him.

Josh

Hey, man.

BARIMAH turns.

BARIMAH still working on the piece of code on his computer.

barimah

What now?

Josh

You know how to perform the Taylor series expansion for ln(x)?

barimah

Why should I be bothered about it now? Because it’s going to help me nail an interview with Apple?

Josh

Uhm, no. We have a quiz today.

BARIMAH

Wait what?

josh

Yeah. It’s at 2:30.

 

barimah

And what is the time now?

They both look at the time. It was 2:28.

 

barimah

Fuck.

BARIMAH grips JOSH on the neck.

barimah

Why didn’t you tell me earlier?

josh

Ahh. Now you care. I’ve been asking you to let us study for this for days and you’ve always been going on about your adventures and multi-dimensions shit.

He said fast paced and scared.

Everybody in the library turned to look at them.

librarian

Hey, keep it quiet.

He pointed at a sign that read “Keep your business quiet in the library. No one needs to hear about your shit.”

barimah

Good one.

CUT TO: BLACK

ACT 5:(The Lecturer is always right)

INT. EXAM ROOM – DAY

The lecturer passes papers around.

He takes an inflated balloon and inhales the gas in it, and then turned to speak.

lecturer

Attention everyone…!

lecturer

If I get anyone copying from another person, your funeral!

He said angrily, with red hot eyes.

barimah

Now that’s an over exaggeration.

lecturer

You have 3 hours; you may start work.

He said with a calm tone.

On the question sheet, there was only one question. “What was the formula on the 21st slide of the 3rd lecture?”

barimah

What the fuck?

He said confused.

BARIMAH looks around and sees other students busily drawing shapes on their paper.

barimah

Mn, Mn.

He clears his throat and raises his hands up.

barimah

Ahh, sir, I think there’s a mistake here.

lecturer

Oh really? What is it?

barimah

This paper is not right. The question is irrelevant.

lecturer

Oh, is that so. Hihihi.

He giggles hysterically.

lecturer (cont’d)

Let me see that.

He reaches over for the paper.

lecturer (cont’d)

Oh no. That is, it. There’s nothing wrong.

barimah

But this question is…

lecturer

It’s what?

He interrupts.

lecturer (cont’d)

Oh, let me guess. You are the guy that never steps foot in class and been jumping on adventures and some multi-dimensional garbage huh? Well, you just got served. Hihihihi.

barimah

Fuck. Why did I choose this fucking course? I should have gone with computer engineering or some BFA shit. Heck, I’m not sure I believe in God anymore. That guy just wants to fuck with me the least chance he gets. This is all so pointless.

Bell tolls for the end of the paper. Everyone submits their work.

barimah

Finally.

ACT 6:(Love struck)

After the paper, Barimah rushes out of the exam hall, with his bag opened and held to his chest.

As he makes his way outside the school, he bumps into a beautiful girl, AKUA, and drops his books.

akua

Sorry about that.

She said smiling.

Barimah laughs nervously.

akua

Are you okay?

barimah

Yeah. Just ahh…just…

He tried getting words out of his mouth.

barimah (v.o.)

What the fuck am I doing. Oh shit, am I having a crush on her? Why can’t I talk properly? Oh, shit I feel fucking…

Hope no one’s shooting this. Shit, shit, shit.

Slow motion. AKUA is looking super-hot.

Eyes gleaming, dread flying beautifully behind her head and along her face and over her shoulders. Her dark complexion super clean. Fuck. The beauty.

barimah (v.o.)

Uh…uhh… maybe if I run off, she won’t notice I was here…

Barimah picks up his books and speed walks away, stiff, feeling embarrassed.

Akua is seen in the background, jumping excitingly. She thinks she nailed the moment.

ACT 7:(Time for business)

EXT. MARKET – DAY

Shot from above into market square. People buying and selling.

Shot from behind…

Barimah is seen running quick towards JOSH.

barimah

Hey. Come with me. We have some work to do.

Barimah grips his hand and pulls him along.

josh

Wait, what? Let me finish my food first.

JOSH taps BARIMAH’S hand to let him go.

barimah

It can’t wait. We have very little time.

josh

Why does it always have to be me? Can’t you go with someone else?

barimah

Irrelevant. You’re the only one that can help me with this. No one else in the universe is suited for this kind of thing. You have a special mind and anyone else is going to have a mental breakdown if they be involved. God took his time with you. And you’re my Eve. You are my better half.

Sentimental song plays from a team of 3 players with junk instruments close behind BARIMAH, while he does his line.

He turns to give the team a thumbs up. They thumb up back.

He said smiling and with his left hand on JOSH’S shoulder.

josh

Oh man. But I have other quizzes today that requires my presence.

 

barimah

Yeah, yeah. Whatever. After today, you won’t have to worry about the quiz anymore.

Before JOSH could say anything else, BARIMAH had turned on his portal device and portalled them back to the hostel.

 

 

INT. BARIMAH’S LAB – DAY

josh

So, what are we going to do?

barimah

Now, here’s what we are going to do. I built this code we can put in the lecturer’s mind so that he sees us to be the most serious students in his class and give us As for free.

josh

But that is not right. Isn’t it cheating?

barimah

It’s only cheating when you get caught. And besides, no one will ever know. It’s going to be a new perspective of reality we are opening him to, where we are the most serious and ambitious students, then we can do whatever we want without him on our tails.

As BARIMAH speaks, he lifts JOSH and place him on a little dish device.

josh

An…a…a…and how are we going to do that?

barimah

We are going deep into his subconscious baby.

Barimah begins a count down from 5 sequence.

barimah

Aaaaaand… 5…3…

Barimah raises his finger signifying a one.

ACT 8:(She even asked what I ate)

josh

Huh? Wait, wait…

JOSH interrupts…

josh

I have to do this first.

Josh takes out his phone from his pocket to call JOAN.

His phone screen opens. We see into his calendar app. 19th of June circled. He taps on the date, A window screen lists:

To Do [heading]

[Red Bullet point] Study 2hrs in library at 12: 20.

[Green Bullet point] Write exam.

[Red Bullet point] Study 2hrs in library at 12: 20.

[Red Bullet point] Study 2hrs in library at 12: 20.

[Orange Bullet point (meaning pending)] Date with JOANA.

[Red Bullet point] Study 2hrs in library at 12: 20.

JOSH taps on the ([Orange Bullet point (meaning pending)] Date with JOANA.] tab and called her contact number.

barimah

Fuck. You bitch!

He says disappointingly. BARIMAH tunes some buttons on his computer to amplify JOSH’s call.

Ringing sound heard.

CUT TO:

INT. JOAN’S ROOM – DAY

Joan’s room is coloured Pink Purple with a shade of darkness in it.

The room is littered with her clothes and shoes.

JOAN is seen laying in her bed prostrate, legs wide open, with left one flexed upwards. Her head is tipped over far edge of the bed. Her ears stuffed with an ear device totally covering her ear hole neatly. Logo on the device (the little downward triangle of the Versel V logo, coloured with its brownish orange with light shades in it and inscription in code pro font, at the right side of the tringle, coloured with a splash of bright paint colours, which reads, “splash”, all in lower cashing)

Tapping sounds and moans heard through the device, in low volume.

Her eyes closed, eyeballs in slight motion, a faint ecstatic smile, bopping up and down to the tabbing sound from the device.

RINGING.

receiver

Hello.

Footsteps approach.

Door opens.

JOAN snaps up.

receiver

There’s a guy on the phone…

She reaches over to give the phone to JOAN.

joan

Hello…

JOSH clears his throat.

JOSH

Hello… hey. It’s me. Josh.

joan

Oh, hey JOSH. How are you?

JOSH

Oh, Grea (phlegm catch with him. Clears throat to catch his voice)

Good. Good. (He tries to hide is nervousness)

joan (ON thone)

Okay.

JOSH

I was wondering, umm, if you like to da… err… if would love a date.

joan

You want to take me out? (JOAN smiles)

JOSH

Yeah.

JOSH clears his throat.

JOAN giggles excitingly.

JOSH gets excited but tries to hold it since he was on a phone.

JOSH

So, uhhh… 8 o’clock?

joan

8 o’clock.

JOSH

Great.

JOAN

Hey Josh… I’ve been meaning to ask you…

JOSH

Yeah…

joan

What did you eat today?

JOSH

Uhh… what did I eat today…?

Barimah gestures for him to not answer the question.

JOSH

I uhhh, ate sardines with uhh… casava flakes and some sauce. Yeah.

joan

Like in SHS?

josh

Yeah. Exactly like in SHS.

He says and smiles confidently.

joan

Oh. (Says disappointingly) So you are broke?

josh

Uhh… y… uhh… what? Hello…

JOSH clears his throat.

josh

So, I’ll see you?

josh

Alright, call me. (She giggles)

JOSH turns to BARIMAH smiling.

BARIMAH looks like he was forcing to keep a laugh in.

josh

I think I nailed this one. She even asked about what I ate today.

He says, smiling.

BARIMAH bursts out laughing.

josh

What? It’s bad? Is it bad?

Barimah continues laughing.

barimah

Dude, you never answer that question.

josh

What?

He said, confused.

barimah

And…Here… we… go!

The device turns on and shrinks them into very tiny forms.

ACT 9:(Intro. To “Puppeting”)

INT. LECTURER’S OFFICE – DAY

barimah

Whoa. This is so cool. Now, lets stick our hands in this motherfucker’s ass. (Dirty puppet joke)

They portal from the room into the LECTURER’S office. He moans in sequences and stretches. He had fallen fast asleep to watching some porn videos.

lecturer

Mhmhmhm, Sandra. You’re a bad girl, huhuhuh…?

barimah

Such a perv. And he sings at church too.

Quick, get inside his ear.

They slide down like they were in sliding tubes, filled with slime and dirt.

josh

Isn’t this like Inception?

barimah

What?

josh

Like the movie?

barimah

Yeah, I know what you mean. This is nothing like Inception JOSH. This is hard persuasion. He’s too weak, this is what will make him still survive. Besides, we need him for the grade. Else, I could just sic him right now.

INT. EAR GROUND – NIGHT

It’s night in EAR GROUND when you’re asleep or passed out. This is the moment security is the toughest. Everything goes dark to power specific parts of the system. These are the only times hard persuasion works easy if only you will be delicate. Day in EAR GROUND when you awake and using your eyes for sight.

Josh is getting scared looking around. He pukes on the ground.

barimah

Whoa, whoa. Take it easy germophobe. You’ll be fine. LECTURER doesn’t seem to keep a good hygiene.

The place disgusts gosh. He feels creepy.

josh

Hey BARIMAH, maybe the reason they ask us to wipe she shito bottle after we use its content is to make sure no one realises we stole from them.

 CUT TO BLACK.

ACT 10:(I could control your free will)

INT. LECTURER’S BRAIN – DAY

josh

We’re walking out here. No action.

Just a dark slimy place filled with…

barimah

Be stealth JOSH.

josh

…I thought there was supposed to be an action in here.

Just a dark slimy place filled with… (He says in a digestive tone)

josh

Ahh… (he shrieks). something just bit me.

A slimy meaty creature, (light orange less than 0.5 transparency coloured, with guts floating inside.

barimah

Let me see that. Holy fuck JOSH. This man’s mind is sick JOSH.

josh

Huh…

barimah

He has a tumour JOSH.

josh

Ohh…

barimah

It’s grown so much that they’ve become co-dependent.

josh

Huhh… oh man.

barimah

Yeah, JOSH. It sees us as threats and is producing antibodies to fight us.

josh

Does that mean we are going to die?

barimah

Not if we start killing these motherfuckers, JOSH.

BARIMAH takes out a gun and starts shooting at the antibodies marching against them.

josh

Ahhh… BARIMAH, I don’t feel good.

barimah

Quick hop on my back.

JOSH faints.

barimah

Ahh!

Barimah carries JOSH up and runs away with him from the ANTIBODIES.

antibody 1

What? Oh my god. That is fucking rude.

baby warrior antibody 1

Hey, no fair…

CUT TO:

BARIMAH reaches for a device inside his pocket. He injects JOSH with a creamy liquid goo it’s filled with.

JOSH shivers up to consciousness, gasping.

josh

What is that? Oh. It feels fucking good.

barimah

It is called an Antigen Generator. It creates an antigen of equal strength inside an antibody, which neutralizes the action of any antibody produced by the leucocytes.

josh

And you’re always carrying this around with you?

barimah

I designed it to fuck up with the whites if they come invading these shores again. You never know when it’s going to come in handy.

josh

But that is so dangerous. How did it heal me?

barimah

Yeah… You have a weird blood.

josh

Oh, yeah. I have a chip.

JOSH giggles nervously.

barimah

What?

josh

Yeah… I am part of the kids that were injected with the second wave vaccine. We’re now like… humans but better.

barimah

Better…

josh

…obedient… controllable.

barimah

Oh, I see. You’re one of those failed… humans.

JOSH giggles.

barimah (cont’d)

Listen. Come here. Let me let you in on a better secret…

He reaches over to JOSH closely.

He snaps to grab JOSH by the neck, bringing him close to his face.

barimah

You must be a dangerous man JOSH. Else no one will respect you.

He lets go off him and gets back into character.

barimah (cont’d)

Now, let’s fuck these pigs up.

CUT TO: ANTIGEN WARRIORS:

The antigen warriors split up to find BARIMAH and JOSH.

STEALTH MODE: BARIMAH & JOSH

They jump over a shoulder of the shadow of one of the ANTIGEN WARRIORS, who was standing through a door.

They crawl over to a wall in a corner.

They stand close to doorway, flat on the wall.

JOSH pants heavily.

barimah

Shhh…

He reaches his arm, placing his finger over his mouth.

RED ALERT!

Soldiers find them and start shooting at them.

They run and dodging a few.

barimah

That shushing thing didn’t work.

josh

It never has.

 

barimah

Hahahaa… I feel like dying this time.

BARIMAH charges in. He quickly fixes one of the antibody generators into BANGER (His gun) And opened fire into the army.

barimah

Ahhhh!

They fire back but none of their bullets hit him.

BARIMAH’s shots turned the army into goo and melt them down.

They manage to get away from the ANTIBODIES that were left there. Some were injured, others were dead and others were covered in goo of other BODIES.

AWAY FROM FIGHT SCENE:

barimah

You see all this, JOSH? This is the human mind. So vulnerable and bare. Only protected by a calcium skull. So precious but have a very weak protective cover. Our ancestors had better and stronger skull than we have and it’s the most delicate thing we have, apart from our penises.

josh

No shit…

barimah

Yeah JOSH. You think you will ever be thought this in school? Huh? They don’t even teach you to make money. They only tell you to study hard and work hard and use what you earn to pay bills. Is that the life you want to live?

 

BARIMAH fixes a device into a part of the LECTURER’S brain. The system started updating itself with the new codes he injected into his subconscious.

barimah

And… 5, 3, 1. And ladies and gentlemen, we are green. It’s done. It’s fixed. All of it. Now I’m bored.

josh

This is amazing. Wow. I can’t believe it.

barimah

Yes, JOSH. Humans think they have free will and does anything they want.

josh

What? That is not true?

barimah

What do you think, JOSH? Why do you think we are here now? Don’t be dumb JOSH. This man won’t give us an A in a billion years, if we live that long…

…because he simply doesn’t like us. His mistake, he thinks he has the power. Only have to dip a finger in the most awkward of places.

Crazy thing… I did all this just to prove that point and you don’t even get it.

 

josh

Cool. But you should try keeping your monologues less meta.

barimah

But there’s a downside.

josh

Oh, there is more…

barimah

A system reboot is going to be a requirement.

josh

Ohhhh.

He said worriedly.

ANTIGEN soldiers catch up with them and opens fire.

Barimah shoots back.

WHILE SHOOT OUT GO ON:

barimah

Quick, JOSH. Hurry. We have to get out of here else, we’re going to die! His mind is going to die for 3 hours and reboot back again. The serum is going to wear our soon. We have to quickly find a way out of here.

josh

Wait, how long have we been here?

barimah

72 hours.

josh

72 hours?

 

 

barimah

You don’t have to ask me again what you clearly just heard me say.

josh

BARIMAH, I have a date to be at. JOAN has been waiting on me for 72 hours and I’ve not been…

barimah

Quit thinking about your penis JOSH. There’s still more time for your stupid date.

josh

But it’s been 3 days already.

barimah

Yes, JOSH. Only in this guy’s mind. Time travels differently in every human’s mind than what we know in the collective real life.

josh

The collective real life?

barimah

I don’t have time to explain. It’s only been 36 minutes out there.

JOSH pauses for a while.

josh (cont’d)

So, it’s like Inception.

barimah

It’s not Inception Josh. Its persuasion. The LECTURER is not dreaming. Yes, he is asleep but, we are not in his dreams. In fact, I can induce a dream for him right now but that is not important. We are not playing God yet…

Calling this anything like Inception is saying David had a big dick. And that is an insult to the creative genius that shat that thing. Do you get it now, JOSH?

josh (cont’d)

Uhhh…

The whole place starts crushing and crumbling down.

antigen commander

Take cover…

He commands the ANTIGEN soldiers.

The Lecturer’s heart starts beating really fast, and hard, pumping blood into the brain at high pressure. We have to leave now.

ACT 11:(Relax, Oh ye of little faith)

INT. LECTURER’S OFFICE - DAY

Barimah and Josh are ejected through the LETURER’S nostrils and are transformed back into their normal form with blood all over their bodies.

They run out of the office when the lecturer wakes up and shouts:

LECTURER

Hey, you two.

BARIMAH and JOSH freeze at the door.

lecturer (cont’d)

What are you doing here?

They slowly turn, to look at the LECTURER.

barimah

And what the fuck are you going to do?

josh

Barimah.

lecturer

Oh, its you guys. The most serious guys in my class. I’m going to give you two an A just for being in my class list.

He smiles.

josh

Whew.

barimah

Oh, ye of little faith.

INT. BARIMAH’S LAB – DAY

They portal back into the lab.

JOSH receives a text on his phone.

JOANA is still waiting on him for the date.

josh

BARIMAH, I need to set up for the date.

BARIMAH sits in a rocking chair, lights a roll of marijuana. And starts smoking.

barimah

Oh, can’t stop thinking about your penis, huh?

josh

Listen, I don’t want to be lonely like you are okay.

 

barimah

Ouch, that hurts.

josh

Oh, man. I’m so nervous.

barimah

It means you shouldn’t go. She’s not yours. Your body is telling you something. Listen to your body.

josh

Our bodies talk.

barimah

Of course, our bodies send signals to our minds which directly interprets into reasoning and actions. How then do you know to take a shit you dumb fuck?

 

josh

I don’t care. I’m still going to see her maybe I could get to do some kissing stuff with her.

barimah

I would like to wish you luck, but it will be a waste of my precious breath.

JOSH dresses up and leaves for his date.

 

ACT 12:(The “perfect” date)

INT. STAND UP BAR – NIGHT

A slow jazz song plays in the background.

drunk guy 1

I've always thought if you fuck a lady and put your finger in her ass, she wouldn't be able to breath.

drunk guy 2

No. It's only when you give her deep through.

They both laugh out loud.

A comedian tells really lame jokes at the open mike. The drunk people at the bar laugh at the joke.

comedian

I sense someone's expectations for a date is going to be him and his pomade soon enough. But don't say it too loud. He doesn't know yet. Wank, wank, wank.

The drunk audience laughs.

JOSH is seated at a table, smiling, and feeling confident about himself.

He checks his time, 30 minutes past, JOANA still haven’t arrived.

1 hour, still nothing.

He kept checking his phone for messages from JOANA but nothing. Texts her but no response.

He starts getting sad.

3 hours past and still nothing. It was time for the bar to close.

waiter

Sir, your date stood you up. We can't allow you to stay here any longer. We are closing.

I bet you got a good pomade at home to ease the blue balls...?

 

josh

Hmmm...

waiter(cont’d)

I bet you got a good pomade at home to ease the blue balls...?

FADE TO BLACK:

ACT 13:(Closing scene, Amen)

EXT. HOSTEL – NIGHT

INT. HOSTEL – NIGHT

ROSEMARY knocks on BARIMAH’S door.

rosemary

BARIMAH. Come out. I need to speak with you.

barimah

Yes, what?

BARIMAH’S are red and almost closing, wearing a trouser.

rosemary

I’m sorry about snapping at you this morning. I really should have listened to you when you were speaking. I know I’m defaced but it’s still me you know.

ROSEMARY says in a seductive tone.

barimah

Yeah, no. I said you were ugly. Not defaced. It’s different.

rosemary

Hmhmhm…

ROSEMARY giggles.

rosemary (cont’d)

You’re so funny.

 

 

barimah

Oh shit. What have I done? I know being mean to ladies turns them on but, this one...?

JOSH walks in looking sad.

BARIMAH turns to speak with JOSH.

 

 

barimah

Hey, hey. How was your date?

josh

I don’t want to talk about it.

barimah

Hm… I warned you.

ROSEMARY turned to look at BARIMAH with a smiley face.

barimah

Oh shit. Didn’t think it would get to this.

HE sighs.

barimah

Okay, fine.

BARIMAH, reaches for a gun, and cocks it.

cut to black:

closing titles.