DEEP IN MY MIND
silas BARIMAH
Versel V Incorporated
Versel Studio
+233 59 926 2808
+233 50 475 0653
silasbarimah@verselv.onmicrosoft.com
2023-10-01
Season 1. Episode 1.
rosemary (o.s.)
Ive been telling you people. You seem not to respect or listen to me anytime I speak
SHOT ON: ROSEMARY
ROSEMARY is seen standing at the door to the living room.
She is disfigured lady. Big boobs and ass, half of her face burnt up. She covers it up with her hair to look cool, but she still looks scary and strange. Shes wearing a big shirt tied at the tip, with a jean shorts, looking like boxers, suffocating her thighs in. She is disfigured, not ugly.
(She could look better if she was humble enough. But that is not her character. That is not who she was made)
SHOT ON: ROSEMARY
rosemary (contd)
No one is to come in here to this hostel after 10.00AM. But you never listen.
Why cant you just follow simple rules?
CUT TO:
BARIMAH, with other characters in the hostel come out into the scene.
SHOT ON: BARIMAH & JOSH
BARIMAH and JOSH walk in.
BARIMAH is carrying a bag. He is okay looking in a red hoodie, and hair seeming combed only at the tips.
Josh has a strap bag behind him. He looks neat and well presented. Hair combed nicely.
SHOT ON: BARIMAH
barimah
Because youre ugly and we dont respect you. Its that simple.
Sichael
Oo, burn.
SHOT ON: JOSH
Josh
BARIMAH, you dont have to talk to her like that, you know. Shes a lady. And youre, youre being a little misogynistic right now.
IN FRAME: BARIMAH AND JOSH
barimah
What?
Josh
Yeah
barimah
You do know I have a mother, right?
Josh
Uhm yeah?
barimah
How can the truth be misogynistic? Is it because she has a vagina?
FOCUS ON: ROSEMARY
ROSEMARY is embarrassed and ashamed.
SHOT ON: JOSH
josh
Wait, what? No. I mean shes
JOSH looks over at ROSEMARY.
BACK TO: ROSEMARY
FOCUS ON: BARIMAH
barimah
Ohh I get it. You want to hit that.
FOCUS ON: BARIMAH, JOSH AND ROSEMARY
BARIMAH points at ROSEMARY, holding his belly and laughs.
Some of the other characters laugh too.
JOSH looks over at ROSEMARY and back at BARIMAH.
FOCUS ON: JOSH.
JOSH shrivels himself up, looking embarrassed.
josh
Ahhh.
FOCUS ON: BARIMAH
barimah
Oh wow. You do know she's a six-month baby, right? I never knew you had a thing for premature hags.
SHOT ON: ROSEMARY, JOSH AND ROSEMARY
Tears build up in her eyes. She looks down in shame.
BARIMAH said, trying to control his laugh.
josh
Thats not the point.
FOCUS ON: ROSEMARY
Rosemary
Excuse me, what? You cant talk about me like that okay.
She says with her index finger out, waving it. She is regaining her confidence.
FOCUS ON: GEL
GEL
BARIMAH, that was really mean.
FOCUS ON: BARIMAH AND GEL
BARIMAH looks over at GEL with a dissatisfying face.
barimah
Well, its good to know its all already in the past then, isnt it?
FOCUS ON: JOSH
Josh
Come on man.
SHOT ON: BARIMAH
barimah
What, [your dick ticks for her now]? Jesus Christ. Just look at her. Do you want me to lie about what I see? I must tell you. My values are so strong that I cant compromise just to butter someone up. That is going to make me much more, cruel than Hitler himself. I cant live with that guilt too, the rest of my life. Scars should be meaningful. I I I I cant have this on my conscience. (I can't have this on my conscience) Simply put, I I I I cant lie, man. That is just not who I am. And if the truth makes me misogynistic, then I would love to be labelled a misogynist.
He pauses for a moment.
SHOT ON: BARIMAH AND JOSH
barimah (contd)
You are always ready to kiss peoples ass so you can be liked. But doesnt always work as you expect does it.
JOSH looks down in shame, scratching his neck.
FOCUS ON: JOSH
barimah (contd)
I mean. I don't blame you. It's what your character is. Come on, Josh. We have a class to be in.
BARIMAH drags JOSH along as he walks away.
He pushes ROSEMARY aside and walks past her, dragging JOSH along.
FOCUS ON: ROSEMARY
ROSEMARY cries, looking around for someone to console her.
Everyone at the scene walks away.
She looks over at GEL.
SHOT ON: GEL
gel
Ermm
GEL says nervously.
gel (contd)
Sorry, I dont touch ugly things.
She quickly walks into her room and slammed the door.
FOCUS ON: ROSEMARYS FACE
ROSEMARY stands with tears on her face.
She looks down in sadness, feeling lonely.
CUT TO BLACK.